+Download: Paul Haig– Running Away 7″. Operation Twilight (OPT 03). (1982)
Friday, October 30, 2009
The Picture (bad bandname but great music!)
The Picture: Deer Crossing
The Picture MySpace Video
"Don't stop running. Don't stop running. Don't stop running."
Also recommend: [the Shadow] & [Devious]
The Human Eclectic
art: jason shawn alexander
Oct 10th, 2009 -Nov,11th
"Insomnious"
101/ E x h i b i t
101 NE 40th Street
Miami, Florida 33137
http://www.101exhibit.com/
Wednesday, October 28, 2009
.......png)
......png)
.....png)
....png)
...png)
.png)
Tuesday, October 27, 2009
I wake to see the world go wild
"She moves in thought she cannot speak.
Perfect care has made her bleak."
- An Eastern Balla, Allen Ginsberg
Perfect care has made her bleak."
- An Eastern Balla, Allen Ginsberg
Sunday, October 25, 2009
我想跟媽媽去周年慶
A:我跟妳說喔 你不用擔心你被台北遺忘 因為那些百貨公司還是會定期寄dm給你
B:哈哈哈
A:有時候只寄給你 沒寄給媽 它還會在那邊叫
B:哈哈哈
A:說為啥它沒有優惠卷之類的 囧吧
B:冏
B:哈哈哈
A:有時候只寄給你 沒寄給媽 它還會在那邊叫
B:哈哈哈
A:說為啥它沒有優惠卷之類的 囧吧
B:冏
Undenied
Portishead-[Undenied]
Your softly spoken words
Release my whole desire
Undenied
Totally
And so bare is my heart, I can't hide
And so where does my heart, belong
Beneath your tender touch
My senses can't divide
Ohh so strong
My desire
For so bare is my heart, I can't hide
And so where does my heart, belong
Now that I've found you
And seen behind those eyes
How can I
Carry on
For so bare is my heart, I can't hide
And so where does my heart, belong
Belong
Belong
Belong
Remedy
Pete Doherty - [Love Rain O'er Me]+[Saga](acoustic)
I'll never really understand why...
I'll never really understand why I believe you
You're so sly and underhand, I think I'll leave you now
With everything I stole since we met
But I stole no kisses, just some books and the odd cigarette.
I never liked anyway,
It must be true what they say
Oh well, you've scuppered my best laid plans,
I can't believe you've just dismiss my pleas right out of hand
I can't believe you've listed everything I stole since we met
But I stole no kisses, just some books and a butterfly net.
It's raining,
Now it's sunny,
It's raining,
Now it's sunny.
+
A problem becomes a problem
When you lie to your friends
When you lie to good people
When you lie to yourself
And only fools, vultures and undertakers
Will have any time for you
A problem, becomes a problem
When you let down your friends
When you let down your people
When you let down yourself and your mother
And the truth is too painful to comprehend
That you have to pretend that there isn't a problem
It's not me with the problem
It's all them with the problem
I aint their problem...
I am a pimp and a slave
I dig my bed, I make, make my grave
Alright now
Talking to Estragon. Waiting for Godot
I just don't feel like starting my term papers.
It feels like I am waiting for something to happen.
Much like waiting for Godot but reluctantly and passively.
Find me talking to Eatragon below.
Estragon: Nothing to be done.
Me: Nothing to be done.
Estragon: We always find something, eh [luyi], to give us the impression we exist?
Me: But still, nothing to be done.
Estragon: What about hanging ourselves?
Me: That sounds creative.
Estragon:Obviously.
Me: And sounds beautifully insane.
Estragon: We're all born mad. Some remain so.
Me: I still don't feel like starting doing my assignment. I turn this weekend a triumphantly lazy one again.
Estragon: I'm like that. Either I forget right away or I never forget.
Me: So just forget, though it takes more efforts.
Estragon: I can't go on like this.
Me: me either.
......png)
..png)
...png)
....png)
.....png)
Saturday, October 24, 2009
typewriter blues
------------------------------------------------------------
----------------------------------------------------------
Friday, October 23, 2009
the Killers
The Killers' Brandon Flowers is one of pop music's reigning front men. In the years following the Las Vegas-based band's triple-platinum glam-rock debut Hot Fuss in 2004, Flowers has chilled out a bit with the eyeliner and become a father of two. The band has also come more into its own, with two albums more introspective and pared down than the first. Flowers, a little bit ingénue, a little bit bad boy, recently caught the admiring, obsessive eye of artist Elizabeth Peyton, who over the years has painted a myriad of male musicians (David Bowie, Kurt Cobain, Eminem, Jarvis Cocker, among others). The subject of recent retrospectives at the New Museum and Whitechapel Gallery, Peyton paints intimate, sweetly idealized portraits of her friends and idols using jewel-like, vibrant colors. And since Peyton's always taken photos, often using them as source material for her paintings (last year The Aldrich Contemporary Art Museum even organized a survey of said photos), we asked her to shoot her newest discovery for the cover story. To our delight, she agreed. Here, Peyton interviews and photographs her muse.
In early July I was in London and saw that The Killers were playing at Royal Albert Hall. I don't know what I was doing in the mid-2000s, because I somehow missed hearing this band, but I thought they must be something special if they were playing there. And so I went. From the first song, I was blown away by the enormity of the music: It was melodic, anthemic, huge, and then there was the crushing beauty and ferocity of lead singer Brandon Flowers's voice. He was singing like his life depended on it. In a very short time every human being in that room was connected to him, on their feet, hands in the air, jumping up and down. Everyone knew every word to every song -- except me. But I've been catching up.
Brandon Flowers has a passion and individuality that is American in the best sense. His songs are about love, life, death and spacemen, and like Walt Whitman and Bruce Springsteen, he radiates joy in being alive and human.
Elizabeth Peyton: What's your favorite Beatles song?
Brandon Flowers: "In My Life."
EP: When and where were you born?
BF: I was born June 21st, 1981, in Henderson, Nevada.
EP: What are your favorite words?
BF: Conundrum, desert and Ammon -- it's my son's name.
EP: What does the title of your first album Hot Fuss mean?
BF: It comes from a very specific moment that I am not at liberty to give out.
EP: You actually say more by not saying... What was it like when you first met your bandmates?
BF: It was one at a time. First, it was me and Dave [Keuning], and yeah, it was exciting to meet anybody in Las Vegas that liked some of the same bands that I liked, 'cause there aren't a lot of opportunities for great music in Las Vegas. It was exciting to meet people who knew the Talking Heads and the Smiths. As crazy as that sounds, someone who liked those bands was a really different person in Las Vegas.
EP: I read that the first song you wrote together was "Mr. Brightside." When you first played that, did you guys all look at each other and go, "Oh my God, where did this come from?"
BF: Well, Dave had the guitar line, and we didn't have a drummer yet. I wanted to have this monotone driving thing over it, and I added a chorus to it, and I don't think I knew how exciting it was until we did it with a drummer. As soon as we stuck the BPM on it, it was really exciting. I felt really good about it.
EP: Based on the lyrics, "Mr. Brightside" seems to be about a girl who cheated on you, but it was good because that freed you to fulfill your destiny -- to be in a huge rock band. Did you know then how big you were going to be when you wrote that?
BF: No, it was so exciting to play in bars. We had big aspirations, but I knew I had a lot to learn.
EP: Were you happy as a young person?
BF: I was very happy.
EP: You seem so sweet and nice, but then when you sing it's just like an avalanche of every kind of emotion. There are so many songs like that. Sometimes it's really delicate and then you're, like, breathing fire. Do you get surprised by your voice?
BF: I remember when I first started to realize that it had a power about it, and it was after Hot Fuss, during the touring of [our second album] Sam's Town. What happened was that there was a huge backlash, there were awful reviews of the album and we had to go tour this thing.
EP: That's so unbelievable, it's an incredible record.
BF: You grow up and you know about Rolling Stone and Spin. My brother had NME and Spin on the wall with Morrissey on it. You can't help but pay attention to [the press]. Spin gave Sam's Town two stars. It was a shock 'cause we loved it, we thought it was so great. What it did, and what I'm grateful for, it lit a fire in us that we didn't have during Hot Fuss. While touring Hot Fuss, we were trying to be cool and not trying to mess up, but for Sam's Town we were playing for our lives, to show every journalist that was going to come that night that this album was good, and I started singing and pushing. We became a good live band.
EP: It's amazing that a band that sold seven million records is saying they really had to push themselves. Do you have to take care of your voice in any special way?
BF: Yeah, I stopped smoking. I always felt guilty about it, but I also knew it was hurting me, and quitting helped a lot. As soon as I stopped, I started taking voice lessons.
EP: On that David Letterman clip I keep seeing of you singing "A Dustland Fairytale," your voice was just more, more, more.
BF: I think that had a lot to do with the lessons.
EP: It seems like your first record was more European, and then you got more American on Sam's Town, and now with your newest record, Day & Age, it's like you've gone to outer space.
BF: Yeah, that's a pretty good interpretation. That's how I look at the band. We were all very influenced by English music: the Cure, Depeche Mode, the Smiths, the Beatles, the Stones, U2, all this British stuff. And I think we were really so impacted by it. We all felt growing up that we had to be different from what we were, because what we were just didn't seem good enough. So we put on suits, and I was trying to be Richard Butler or whoever it is -- and it worked. Then we went there -- we had never been to England or Europe -- and when we went, we realized we weren't like these people. So it was a real shock. And it's nothing against them, but I don't want to be like them. I'm an American. So then we had to backpedal. [Sam's Town] was trying to be a little more honest. And so by being honest, people said that it looked contrived because of the first album. So it was all a big mess. Outer space is kind of neutral territory -- that's where we are now.
EP: I think your new record is in a way like The Beatles' Help!, in that it's a reaction to being successful, wanting to disappear. Do you agree?
BF: I try to stay away from that stuff -- though I'm sure it's made its way in there -- 'cause a lot of people aren't going to identify with that. I don't want it to be about, specifically, being too successful or having any kind of fame. I still take out the trash and vacuum, I change my baby's diapers. I think we're pretty solid.
EP: The new record is much more spiritual, and not even in a religious way. It's got a bigger world in it, and also it's dark.
BF: Well, Dave's mom died while we were making the album, so that was on our minds, I think. And my mom got brain cancer, and they only gave her seven months, but it's already been a year and a half. Also having kids, it's funny what that does to you. It's exciting and it's wonderful, but -- I guess it happens to almost everybody -- you instantly realize you're going to die. I don't know why.
EP: Is your experience with music similar to your experience with religion?
BF: I think they're very different, but I see how people can confuse the two. If you don't have religion, I can see how music can take that place. I am not saying that God put me here to do this, but I believe in God, and I believe music is a gift.
EP: What is the song "Human" [on Day & Age] about? And when you say, "Are we human, or are we dancer," why did you use "dancer" in the singular?
BF: It just as easily could have been "dancers." It made sense to me to be "dancer." I didn't realize it was going to cause any type of commotion.
EP: It's kind of abstract.
BF: I guess it is. I liked it because of that. I just thought people could still digest it. But it really...
EP: Caused a lot of head scratching.
BF: It let me down a bit. I just thought it was good. It made sense to me, and I understand that it's different. When Bowie did something abstract, they didn't question it.
EP: Well, sometimes you have to give people time to catch up. "Human" will probably end up making sense to people. You are looking forward, but some people don't want you to ever change. Different subject: How do you feel when you finish a show? I noticed you leave the stage very quickly.
BF: Have you seen The Wrestler? That's what I feel like when I finish. I limp back to the dressing room, I sit down and if I'm still on a high, I might do push-ups. But usually when it's a really good show and I'm exhausted, I go to a couch.
EP: At Jones Beach, the crowd had very different reactions to you than European audiences do, and it seemed you weren't going to rest until everybody in the place was with you. Is that a responsibility you feel?
BF: I think it comes from being a little spoiled from those crowds over there, but also I almost want to understand why they aren't so excited. And so I can't make them do it, but I try. By the end of it, everyone was excited. It took me an hour and a half [laughs]. One thing I've noticed, no matter how bad the show is, when you finish with "All These Things That I've Done" or "When You Were Young," it puts a band-aid on, it always feels OK.
EP: What was it like playing "Thunder Road" with Bruce Springsteen at the Pinkpop Festival in May? Did you know in advance that you were going to be singing with him?
BF: I didn't know too far in advance. I knew a couple hours before, and the most surreal part was that I got to go into his dressing room with just an acoustic guitar, and we went over who was going to sing what parts, and that was a little more special for me. It was surreal, but it was also something that I've daydreamed about so many times that it wasn't too overwhelming for me. I was able to do my job up there.
EP: In The Killers studio, is it a democracy or a dictatorship?
BF: [Laughs] We all have different answers. But it is a democracy. I think sometimes I get my way a little bit, but I've definitely not gotten my way every time, so it's definitely not a dictatorship.
EP: Does the band have a message?
BF: We don't have one specific message or cause, other than the songs. We've kind of stayed away from taking positions on things going on in the world. I don't know if that will come one day as we get older, but I don't think so.
EP: Do you know when you're going to start recording new songs?
BF: We always have some new ones. I think everyone wants to take a long break after this album.
EP: Do you like being on the road so often?
BF: Well, this time we have these bigger, longer breaks at home, so we're spoiled. We're spoiled on the road. I know people who've toured this long who don't have big buses and nice hotels -- it's not so bad...
EP: Are you tired?
BF: No.
The Killers' first live concert DVD, "Live From The Royal Albert Hall," is out November 10.
(source)
沒有課的星期五
做了一些不好的稱不上惡夢的夢。後起床。你沾滿wild honeysuckle乳液的手伸進我衣服裡。打電話給我。開門關門刷牙尿尿坐下來吃早餐。早餐是超級無敵yummy的素肉鬆奶油起司海苔蛋。讚嘆如凝膏的蛋黃。你教我怎麼開烤箱。晚點我要熱吃起來像檸檬雞條的起司條。送你出門。煮水泡真鍋黑糖奶茶。跟奧地利美麗人妻聊到Scarlett Johansson聲音像男生。想看一部電影。找來找去看Nick and Norah's Infinite Playlist。嘿，我有聽到the National。覺得有種時間不存在的錯覺。但還是不小心看到了時間。總是一直被叮嚀"要看書"。還有三份作業下禮拜要交。昨天你買了心愛的Brandon Flowers當封面的Paper給我，想不到他非但不是gay還已經生了個小孩。接下來我會去熱我的起司條。不想吃泡麵了。晚點我們會去日本超市買包日本米和補貨之後你煮東西給我們吃。就算你沒有發現我blog旁邊sidebar的圖改了我還是會稱讚你的廚藝。為什麼我的Aveda洗髮精不能放在浴室為什麼我的餅乾不能放在廚房櫃子。為什麼十月就下雪了，今天卻又這麼熱。為什麼我的電腦不是mac為什麼我不認真寫作業。因為會被用掉吃掉因為地球生病了因為我太貪心太懶散。
the Killers演唱會-Brandon Flowers舞台魅力第一名
the Killers演唱會-Brandon Flowers舞台魅力第一名
but i'm noticing
"The way you're moving in your sleep,
The wat you look before you leap,
The strange illusions that you keep,
You don't know,
but I'm noticing."
---film, Nick and Norah's Infinite Playlist
The wat you look before you leap,
The strange illusions that you keep,
You don't know,
but I'm noticing."
---film, Nick and Norah's Infinite Playlist
Thursday, October 22, 2009
Claude& Elanore, New York 1996
ph: Allen Frame
I'm touched by this photo.
And it's weird that sometimes it feels stronger to show only one photo of a photographer than posting a whole bunch to make you feel it. You know what i mean?
Pajo
I'm not familiar with Misfits but David Pajo (who joined the yeah yeah yeahs on tour for their third album) made a great album of acoustic cover of their songs.
+ Download: Pajo- [Scream with me]
1. Angelfuck
Little angelfuck
Its a shame that luck is the only thing
Did you like the fun
Did you like the times that I promised you
2. Hybrid Moments
If youre gonna scream, scream with me
Moments like this never last
When do creatures rape your face
Hybrids opened up the door
Ooh baby when you cry
Your face is momentary
You hide your looks behind these scars
In hybrid moments
Give me a moment
3. Where Eagles Dare
+ Download: Pajo- [Scream with me]
1. Angelfuck
Little angelfuck
Its a shame that luck is the only thing
Did you like the fun
Did you like the times that I promised you
2. Hybrid Moments
If youre gonna scream, scream with me
Moments like this never last
When do creatures rape your face
Hybrids opened up the door
Ooh baby when you cry
Your face is momentary
You hide your looks behind these scars
In hybrid moments
Give me a moment
3. Where Eagles Dare
Lets test your threshold of pain
Lets see how long you last
Thats happened in your rape
On bosoms of your past
7. Horror Business
With you
I'll put a knife right in you
I'm warning you
8. I turned into a martian
Oh go
Possession of the mind is a terrible thing
Its a transformation with an urge to kill
Not the body of a man from earth
Not the face of the one you love, cause
Well, I turned into a martian
I cant even recall my name
Sometimes I never hardly sleep at night
Well, I turned into a martian today
I walk down city streets
On an unsuspecting human world
Inhuman in your midst
This world is mine to own, cause
Wednesday, October 21, 2009
lovely creatures
flickr coquinete
?
David La Spina
Jimmy Page & William Burroughs
bigbird
sylvia farago and christopher simmonds at home in london THE SELBY
Tamara Lichtenstein
william gedney
november-and-horse
Kelley Smith
tetsuya miyoshi
?
Tuesday, October 20, 2009
54
He bought her T-pass and food. He bought her hoodie and Aveda shampoo. He gave her many which can't be bought.
to a point passion that unhinges my soul
ph: William Selden
"You know that when I hate you, it is because I love you to a point of passion that unhinges my soul."-Julie de Lespinasse
"You know that when I hate you, it is because I love you to a point of passion that unhinges my soul."-Julie de Lespinasse
Monday, October 19, 2009
Sunday, October 18, 2009
CONVERSATION
On the subway today, i overheard two guys' conversation. It was pretty much about 'passion', 'historian', and 'lousy weather'.
My day so far is more like 'survival', 'drag-on', and 'refilling hot tea'.
I know it's going to snow, and this morning Mickey told me "you will soon be having your own pairs of dr.martens and ugg." That's sweet.
Let's do strange and grey, and be a british.
Let's undo all the wrong we've done in song.
My day so far is more like 'survival', 'drag-on', and 'refilling hot tea'.
I know it's going to snow, and this morning Mickey told me "you will soon be having your own pairs of dr.martens and ugg." That's sweet.
Let's do strange and grey, and be a british.
Let's undo all the wrong we've done in song.
all the wrong i’ve done, will be undone in song
Black Rebel Motorcycle Club- [Done All Wrong]
done me wrong
done all wrong.
all the wrong i’ve done i’m sure i’ll live quite long
done all wrong
done me wrong
all the wrong i’ve done i’m sure i’ll live quite quite long
all the wrong i’ve done, will be undone in song
all the wrong i’ve done, will be undone in song
if your doing wrong
if you’ve done all wrong
you can rest assure your gonna live quite long
if you’ve done all wrong
your doing wrong
you can rest assure your gonna live quite quite long
all the wrong you’ve done will be undone in song
all the wrong you’ve done will be undone in song
if we’re doing wrong
we’ve all done wrong
if we do no wrong i’m sure we would be gone
+ Email me for the mp3
no color like red
livejournal adski_kafeteri
Maya Bloch 709x788
www.flickr.com/moreinterpretations
Natalie Portman in Love and Other Impossible Pursuits
above two by Pierluigi Macor
maciek kobielski
RICHARD PEDALINE
stay by Li Hui
www.flickr/photos/vm3fu6
Satoshi Saikusa
Yoshitomo Nara, There is No Place Like Home
andbygodtherewillbedancing.tumblr.com
10 seconds for being with Philippe de Saint-Georges
Give me 10 seconds for...
by Philippe de Saint-Georges
Not playing the Bach Sonata
Not earing the ringtone
Not touching your face
Not liking raspberries
Not waiting for the morning
Not believing my eyes
Not leaking words
Not breathing in
10 seconds for being somewhere...
by Philippe de Saint-Georges
Not playing the Bach Sonata
Not earing the ringtone
Not touching your face
Not liking raspberries
Not waiting for the morning
Not believing my eyes
Not leaking words
Not breathing in
10 seconds for being somewhere...
Friday, October 16, 2009
my day so far in no particular order
Jonathan Parsons - Black for Francis Cut Arrow, 2009
hurt by Li Hui
erin mulvehill
Eno Henze 22_02_diffusionen
dearjennifer.org leg
chadwick tyler
Alison01_406 Hedi Slimane
flickr 38349570@N04
Adrian Ghenie - Pie Fight Study 2, 2008, oil on canvas, 55 X 59 cm
?
這樣無聊的下午蕭亞軒突然想起你
1.看完蕭亞軒上康熙來了後這樣冷覺得煩又無聊又心情不好的下午很適合聽這首歌。
2.這首歌很適合一直重播。
3.要考驗某人的耐心可以在KTV一直重唱這首歌，看看唱到第幾遍的時候對方會受不了要求換歌。
4.蕭亞軒的眼妝技巧進步超多。
5.我覺得他的舞曲都有台味，不過我很喜歡他的髮型，我的瀏海也快點長吧~~。
6.我也是會聽一點點國語歌的。
PAIR UP
LOfficiel Netherlands #15 with Marloes Horst
Grace Kelly 10th February 1955
ph: emma jonsson
current-elliott-holiday-2009-jeans-Current-Elliott Holiday 2009 Collection Lookbook
ph: Catherine Servel
Caroline_Trentini4_The_Collection_Another Magazine A/W
ph: Terry Tsiolis
Thursday, October 15, 2009
EventuALLY, it is what it is.
"It will mean something or nothing- but that is also part of the purpose. It's time to grow, and eventually, it is what it is."-Helmut Lang
:-D
According to David Marskell...
He has a radio show online http://www.fusionradio.ca tonight from 6-8pm.....listen in if you're around...he's gonna make sure he tells people about my blog "Some Required" on the show. Oh and by the way, my taste in music = me enjoying his show= you enjoy his show! ;)
He has a radio show online http://www.fusionradio.ca tonight from 6-8pm.....listen in if you're around...he's gonna make sure he tells people about my blog "Some Required" on the show. Oh and by the way, my taste in music = me enjoying his show= you enjoy his show! ;)
i could forget; and the seasons seperate.
The Sight of Never
by Jennifer Flescher
Conserve emerges today,
thick, so red, black
and clotted. I lost this May
and what I didn't know
I held. And also,
I am leaving.
Mistakes have done
and free, forced,
courses, leaving and left
open-my life
my lining
emptied from
an ill attempt at value.
This life
was never
what I meant to conceive.
Not violence,
but closer to crude
than love-and here,
in the post-stamp
bathroom of our home,
all this earned absence
delivered now
to prove I failed...as if
I could forget, the day
the rain empties for sun,
and the seasons separate.
by Jennifer Flescher
Conserve emerges today,
thick, so red, black
and clotted. I lost this May
and what I didn't know
I held. And also,
I am leaving.
Mistakes have done
and free, forced,
courses, leaving and left
open-my life
my lining
emptied from
an ill attempt at value.
This life
was never
what I meant to conceive.
Not violence,
but closer to crude
than love-and here,
in the post-stamp
bathroom of our home,
all this earned absence
delivered now
to prove I failed...as if
I could forget, the day
the rain empties for sun,
and the seasons separate.
Wednesday, October 14, 2009
Tuesday, October 13, 2009
Monday, October 12, 2009
my day so far in no particular order
gregory comollo
Samuel Hodge
Tosh Matsumoto.1950
yvan rodic
,+2004.jpg)
Allen Ruppersberg, Reading Standing Up and The Book Circus (detail), 2004
via
frankie magazine publish
me with niagra falls bear
I'm a liar to love.
Christina Rosenvinge - [A Liar To Love]
Video directed by Luis Cerveró.
a very lovely music video.
Friday, October 09, 2009
Boston. No one knows my name.
Basically this song is pretty much about me-at-the-meoment. Thank you, Valerie for the mp3!
Most of the time i don't know why i came to Boston. I meant it. I was just kinda tired of my old life. I think I'll start it over somewhere. Voila, here I am. Everyone wants to start a new life in some way or another, isn't it?
Augustana - Boston (slow version feat. Daria Werbowy)
Augustana- [Boston]
In the light of the sun
Is there anyone
Oh it has begun
Oh dear you look so lost
Eyes are red
And tears are shed
The world you must have crossed
You said
You don't know me
And you don't even care
Oh yeah
She said you don't know me
And you don't wear my chains
Oh yeah
Yeah
Essential yet appealed
Carry all your thoughts
Across an open field
When flowers gaze at you
They're not the only ones
Who cry when they see you
You said
You don't know me
And you don't even care
Oh yeah
She said you don't know me
And you don't wear my chains
Oh yeah
She said I think I'll go to Boston
Think I'll start a new life
I think I'll start it over
Where no one knows my name
I'll get out of California
I'm tired of the weather
Think I'll get a lover
And fly him out to Spain
I think I'll go to Boston
I think that I'm just tired
I think I need a new town
To leave this all behind
I think I need a sunrise
I'm tired of Sunset
I hear it's nice in the summer
Some snow would be nice
Oh yeah
Boston
No one knows my name
Yeah
No one knows my name
No one knows my name
Yeah
Boston
No one knows my name
+ Album version
Most of the time i don't know why i came to Boston. I meant it. I was just kinda tired of my old life. I think I'll start it over somewhere. Voila, here I am. Everyone wants to start a new life in some way or another, isn't it?
Augustana - Boston (slow version feat. Daria Werbowy)
Augustana- [Boston]
In the light of the sun
Is there anyone
Oh it has begun
Oh dear you look so lost
Eyes are red
And tears are shed
The world you must have crossed
You said
You don't know me
And you don't even care
Oh yeah
She said you don't know me
And you don't wear my chains
Oh yeah
Yeah
Essential yet appealed
Carry all your thoughts
Across an open field
When flowers gaze at you
They're not the only ones
Who cry when they see you
You said
You don't know me
And you don't even care
Oh yeah
She said you don't know me
And you don't wear my chains
Oh yeah
She said I think I'll go to Boston
Think I'll start a new life
I think I'll start it over
Where no one knows my name
I'll get out of California
I'm tired of the weather
Think I'll get a lover
And fly him out to Spain
I think I'll go to Boston
I think that I'm just tired
I think I need a new town
To leave this all behind
I think I need a sunrise
I'm tired of Sunset
I hear it's nice in the summer
Some snow would be nice
Oh yeah
Boston
No one knows my name
Yeah
No one knows my name
No one knows my name
Yeah
Boston
No one knows my name
+ Album version
